Saturday, 21 June 2014

Lorrie Moore in London

She knew there were only small joys in life - the big ones were too complicated to be joys when you got all through. Lorrie Moore, Like Life
I went to London with my daughter Kate last month to see Lorrie Moore at the South Bank Centre. Although the weather was not warm there was a summery magic to the evening.  I was impressed with Blackfriars station and its view of the London skyline.  The Thames was gloriously grey and rolling and I finally managed to locate the South Bank's open air book market. 

Lorrie Moore read from Bark her new collection of short stories.  Her deadpan delivery of her story Thank You For Having Me which begins with musings on the death of Michael Jackson and moves on to a wedding where the bridesmaid dresses are described as 'one the light peach of baby aspirin, one the sea-foam green of low-dose clonazepam, the other the pale daffodil of the next lowest dose of clonazepam ' had the whole audience laughing.  The humour is black but also somehow liberating.

When asked for advice by aspiring writers in the audience she recommended to be in it for the long haul, to read and write what you love and to have separate work to make money so that you can be kind to your writing.  She also spoke about a story she'd written called You're Ugly, Too which attracted a lot of attention and has been much anthologised from her Like Life collection

You're Ugly, Too is indeed a remarkable story but I would highly recommend Joy from the same collection.   It's a story about a woman called Jane who loves to sing and works on a cheese counter in the local mall spreading the crackers with samples for customers to taste.  She takes her cat Fluffers to the vet and meets some tiny children with their cat Gooby.  It's funny and sweet and sad.

I don't think I'm going to get a break from work until at least September so I'm having a little summer staycation in the garden with some Lorrie Moore short story collections - Birds of America, Like Life, Bark and a re-read of Self-Help.  I've also just read her wonderful coming of age novella Who Will Run The Frog Hospital?

Have you read Lorrie Moore?

Saturday, 24 May 2014

You Should Have Known

Grace Sachs is a therapist with a thriving New York practice.  Her husband is a paediatric oncologist and her gifted young son is at private school.  Grace is about to publish her first book You Should Have Known based on her theory that women should be able to detect the signs that a man is a womaniser or a debtor or a misogynist early on in the relationship and act accordingly.

The novel opens with Grace's author photo shoot for Vogue magazine.  She is anxious to distance her book from what she considers to be downmarket self-help guides such as The Rules or Relationships for Dummies.  Indeed, Grace is anxious to distance herself from a lot of things, she has let old friendships go and has a fractious relationship with her father and stepmother.  She considers herself and her husband to be conscientious people who work hard for the good of others and are possessed of unshowy good taste.  Grace's wardrobe consists of parchment coloured cashmere sweaters and linen and wool skirts.

Of course, calling a book which captures the zeitgeist You Should Have Known is asking for trouble.  When the mother of a child at her son's school is murdered and her husband goes missing Grace realises she may have missed the cues in her own relationship.  Jean Hanff Korelitz writes particularly well on relationship therapy and queen bee mothers at the school gates (far better than Gill Hornby's The Hive, I thought).  Whether this novel could be called a thriller I'm not sure, but I liked the gradually unfolding revelations and there is some delicious detail.  I loved the part when Grace discovers that the Hermes Birkin bag her husband bought for her is a fake (the bastard!) 

There is an interesting interview with Jean Hanff Korelitz here.  She is a relative of Helene Hanff, writer of 84 Charing Cross Road.  I would also recommend her previous novel Admission, one of my absolute favourites.

Friday, 18 April 2014

Oxford Lit Festival

Last month I went to the beautiful Divinity School at Oxford for Kathryn Sutherland's absorbing talk on Jane Austen’s teenage writings. There was an opportunity to view some of Austen's early manuscripts and it was fascinating to see her extremely neat slanted handwriting. Afterwards, I went to to the Festival tent for a much needed cup of tea and a slice of chocolate button cake and then took a stroll down New College Lane (as recommended by Lucy Worsley). Even a spring shower didn't put me off walking around the colleges as a lovely mineral smell came off of the old buildings in the rain. I then took a walk to Blackwell’s and bought the new Ann Patchett and Gabrielle Levin's novel The Collected Works of A J Fikry.

It was sweet and funny and sad.  A J Fikry is a curmudgeonly independent bookshop owner with a passion for short stories and a dislike of mobile phones, Kindles and pretty much all aspects of modern life.  After losing his wife he turns to alcohol until he meets free-spirited book publicist Amelia who tries to pitch him her winter list.

I won't reveal what happens but I did love some of Fikry's inspired ranting:
I do not like children's books, especially ones with orphans and I prefer not to clutter my shelves with young adult.  I do not like anything over four hundred pages or under one hundred fifty pages.  I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items and - I imagine this goes without saying - vampires. Gabrielle Zevon
Enjoy your Easter break!

Saturday, 15 March 2014

Still Life with Breadcrumbs

After a hectic week at work it was a relief to spend a whole evening reading on Thursday.  In fact I ended up reading into the early hours of the morning because I wanted to know what would happen next in Anna Quindlen's new novel Still Life with Breadcrumbs (although I'd kinda guessed.)

I read my first Quindlen novel a couple of years ago and I thought it was good but not great.  This one I liked much better.  It's about 60 year old Rebecca Winter (how many novels have a 60 year old heroine?) who was once a highly successful photographer who became something of a cult figure in the art world and a household name after her success with a series of domestic images. 

Now divorced, alone, strapped for cash with ailing parents she can no longer afford to live in her New York apartment and rents a rural isolated cottage.  Enter Jim the roofer who clears a raccoon from her loft, sorts out her firewood and clears her drive with a snow plough during a blizzard.  (Wouldn't you fall for a man who can drive a snow plough?)  Jim is a working man with a kind heart, no pretensions and a habit of saying 'Ah hell.'  He's also 44.  Quite a bit younger than Rebecca and it's nice to see a role-reversal relationship in a novel. 

Well I won't say what happened next but I enjoyed spending time in the company of these likeable characters and this self-assured author.  This novel reminded me a little of Adriana Trigiani's Big Stone Gap an old favourite of mine.

Lots of contemporary fiction I want to read at the moment, Karen Joy Fowler's We Are All Completely Beside Ourselves. The new novel from Jean Hanff Korelitz You Should Have Known and Ann Patchett's memoir The Story of a Happy Marriage.  Alas, they are all in hardback and I've pretty much blown my hardback budget for this year and it's only March!

Although I don't knit or make quilts I'm a regular reader of Jane Brocket's blog and I think she writes very perceptive book posts.  I do like her thoughts on the pleasures and freedom of blogging in this post.

Saturday, 11 January 2014

Learning to love a hyacinth

You have gained a new source of enjoyment, and it is as well to have as many holds on happiness as possible.  Henry Tilney, Northanger Abbey
I'm afraid The Little Friend was a Donna Tartt too far for me.  Awful people doing awful things to each other and really, if you threw a live king cobra from a motorway bridge, what are the chances it would go through the sun roof of your victim's car at the precise moment it passed below? 

Time to return to Jane Austen.  Northanger Abbey is perfect to dispel the January gloom and each time I re-read Austen I discover nuances unnoticed before.  I was struck this time by how spare Austen is with her physical descriptions yet how much they convey.  Catherine gazing at Henry Tilney with 'sparkling eyes' tells us all we need to know of a blooming young girl falling in love.  Henry may be a bit of a clever clogs but when Catherine tells him that she is 'learning to love a hyacinth' his witty reply that loving a hyacinth is 'rather domestic' but she may in time 'come to love a rose' is very endearing both to Catherine and the reader.

I'm also fond of Mrs Allen, it has to be said, she is not very bright but she is kind to Catherine  and as she is completely obsessed with clothes and fashion she is the go-to woman for advice on sprigged muslin, Mechlin lace and silk gloves.  Then there is the vain and silly Isabella Thorpe who foolishly plays one of her admirers off against the other only to lose them both.

I do like the cloth-bound Penguin editions.  Unfortunately some of the of the pink gothic keys on my copy of Northanger Abbey have rubbed off after I spilled my tea.  Good job I took a picture first. Happy New Year!  


Saturday, 14 December 2013

Winter novels

"Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.
"It's so dreadful to be poor!" sighed Meg looking down at her old dress.
Little Women, Louisa May Alcott

I've never given a book away before so it's about time I did.  Little Women is a perfect Christmas read and you can almost feel the New England snow as you read it.  This is a new Penguin Threads edition which features hand-stitched cover art.  I'll randomly pick a name from the commenters on this post to receive an early Christmas present!

I would love to have visited Asia House in London last month to hear Amy Tan talk about her new novel The Valley of Amazement on a rare visit to the UK, but I couldn't get the time off work.  I've written before about my admiration for Amy Tan.  The Joy Luck Club, The Kitchen God's Wife and most of all The Hundred Secret Senses are some of my favourite novels.

Sadly The Valley of Amazement is not vintage Tan.  It gets off to a great start with young Violet Minturn growing up in her mother's Shanghai courtesan house at the turn of the 20th century.  Tricked into becoming a courtesan herself she is befriended and protected by Magic Gourd the sparky former courtesan who knows all the tricks of the trade and tells it like it is.  There are quite explicit details about the degradation of women in courtesan houses and their will to survive.  This part of the novel is very powerful but when the story moves on to Violet's mother and her history it becomes formulaic, overlong and the ending is far too neat.

That said, Magic Gourd, the ageing courtesan with a heart of gold is a wonderful character who reminds me of Kwan from The Hundred Secret Senses

Despite my aversion to 'weird twins' in fiction I very much enjoyed Curtis Sittenfeld's story of twins who share a gift for predicting dark events.  Sisterland is narrated by Kate who is married with children and tries to disown her gift.  The unconventional Vi positively embraces it and sets herself up as a psychic.  When she predicts an earthquake and becomes something of a small-town celebrity after appearing on the Today show, Kate whose husband works as a geological scientist and dismisses Vi's prediction as nonsense is deeply embarrassed.

Sittenfeld is particularly good on teenage angst and Kate's account of being invited to a slumber party at the age of 13 and messing around with a Ouija board which turns dark and ominous is very well written.  I won't give away the ending but I'll just say beware of October 16th!

2013 has been a great year for fiction.  Best of all was Donna Tartt's The Goldfinch of which more later.  Merry Christmas and see you all in the New Year!

Saturday, 2 November 2013

Beginning The Goldfinch

 I do like a bit of superior chicklit and Helen Fielding's Bridget Jones-Mad About The Boy certainly had its moments and made me laugh a few times but I have to say I was yearning to read something a bit more substantial by the time I got to the end.

My big autumn read is The Goldfinch by Donna Tartt.  As I have not read The Secret History or The Little Friend I have no preconceptions about this writer but John Mullan's Ten Reasons why we love Donna Tartt's The Secret History from The Guardian a couple of weeks ago makes it sound very enticing.  I do like novels set in academia.

I'm about two hundred page in and it's very promising.  I liked the first chapter which is set in Amsterdam:
Outside, all was activity and cheer.  It was Christmas, lights twinkling on the canal bridges at night; red-cheeked dames et heren, scarves flying in the icy wind, clattered down the cobblestones with Christmas trees lashed to the backs of their bicycles.  In the afternoons, an amateur band played Christmas carols that hung tinny and fragile in the winter air. Donna Tartt The Goldfinch
I also loved the descriptions of Dutch paintings in a New York art gallery with 'peeled lemons, with the rind slightly hardened at the knife's edge, the greenish shadow of a patch of mold.'  The book has been described as Dickensian in some reviews and its central character has been likened to Holden Caulfield from J D Salinger's The Catcher in the Rye in others.  I'll reserve judgement until I've read it  and at over 700 pages I may be a while!

Anybody read The Secret History?